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The ride from Bordeaux to St. Jean-de-Luz is much like the rest of France - very scenic with lost of farm land to be seen. However, there were many, many acres of woods - tall, straight pine trees with branches and needles only on the top third. As you near the coastal areas, however, the road narrows to two lanes (unless you are willing to pay the price charged for the Auto route) and the traffic becomes extremely heavy as you pass through Bayonne. This was in mid June, 2001 when we were on our way to Portugal from Sweden. It also appeared that miles of camping trailers were headed in the same direction. All along this area of France there are numerous boat harbors, filled with sailboats at anchor and the blue, blue Atlantic beyond. The ride wound through the foothills of the Basque Countryside, peering toward the great Pyrenees in the near distance. On the other side of the road, the Atlantic Ocean is there somewhere but you will rarely see it due to the dense housing. It was a beautifully sunny day, and summer had arrived in the Basque country.
Most evident of the wealth and vigor of St. Jean’s seafaring past is in the surviving seventeenth- and eighteenth-century houses of the merchants and ship owners. One of these is the Maison Louis XIV, so named because young King Louis stayed there in 1660 during the preparations for his marriage to Maria Teresa, Infanta of Castile. Another is the impressive pink Italianate villa known as the Maison de I’Infante, where she was lodged during the same time. Both of these houses are on the Quay I’Infante, overlooking the harbor. A third is the corner house on rue Mazarin, where the Duke of Wellington established his headquarters during the 1813-14 winter campaign against Marshal Soult. Besides its beautiful harbor, its long stretch of sandy beach, its spacious harbor, and the picturesque homes, shops, restaurants and cafes, the town’s moment of fame is that it was the setting for the historic wedding of King Louis and Maria Teresa. The couple was married in the church of St. Jean Baptiste on the rue Gambetta. The door through which they left the church was walled up following the wedding (we never learned the reason for this, however). The walled-up section that had been the door was clearly visible. Apparently, the wedding was an extravagance that defies belief. We were told that Cardinal Mazarin alone presented the queen with 12,000 pounds of pearls and diamonds, a gold dinner service, and a pair of sumptuous carriages drawn by teams of six houses. Not a bad haul from only one guest! The church itself (you know we would find a church to visit) is plain and fortress-like on the outside, the biggest of all the Basque churches, apparently. However, compared with the cathedrals we’ve seen in Spain, it was modest. The interior is dark; an identifying feature of the Basque churches is the curved dark-wood ceilings. In addition, it was lined on three sides with tiers of dark oak galleries. These were reserved for the men, while the woman sat at ground level in the nave. Equally Basque is the elaborate gilded retable of tiered angels, saints and prophets behind the altar. In St. Jean’s church, there was also a model of the Empress Eugeine’s paddle steamer which narrowly escaped wrecking on the rocks outside St. Jean in 1867. A different touch. All in all, it is a dark and somber interior. However, it was a church after Jim’s heart—it took only a few minutes to see everything! Our days were spent walking through the town, strolling along the beach walkway, poking into shops, having a midmorning cup of tea at the Patisserie (and a French pastry as well), checking out the fishing boats at the harbor, and spending some time on sign language in the stores and post office and restaurants. Not much English is spoken here. And, our French is nonexistent. We found that there is an open-air farmers market on Tuesdays and Saturdays.
Across the bridge is the town of Ciboure, which looks like a part of St. Jean but is in fact a separate commune. It is a lovely, little town. Picturesque streets and quaint old homes on the Quai Maurice-Ravel (the composer was born at No. 12, we were informed). Wide-fronted, half-timbered gaily painted, and sometimes with balconies, the houses are typical Basque style. |
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